Deborah Levy is a writer unlike no other.

This strikes me, even as I write it, as a sentence that feels over used and some what stale. But that doesn’t stop it from being true.

There are so many authors out there that I admire but Levy’s work is always immediately identifiable as hers. Her work is consistently insightful, always complex and raw, and always magnificent.

I am thrilled to be part of the blog tour for her third Man Booker long listed novel, The Man Who Saw Everything.

The novel centres on Saul Alder, a young historian and opens in 1988. Saul is knocked over on the famous Abbey Road crossing, and despite a rather confusing encounter with the driver who hits him, seems physically unharmed. Immediately after the accident he visits his girlfriend, Jennifer Moreau, a talented American art student and fiesty independent women, who has imposed clear rules on their relationship.

This evening is a crossroads in their relationship. Saul is about to embark on a research trip to the German Democratic Republic (GDR), Jennifer is finishing her studies and moving on. Saul proposes marriage, Jennifer ends the relationship. The theme of misremembering, misinterpretation and conflict begins, and we get our first glimpse of the nature of Saul Alder.

For Levy has created a character that is intelligent, beautiful and articulate. Having lost his mother at an early age Saul seems emotionally tied to the past. At odds with his working class father and bully of a brother, refusing to remove his mothers pearls, Saul Alder is self absorbed, often selfish, but certainly not self aware. A man with an incredible eye for detail in the world around him, he is woefully lacking in his understanding of his own character and behaviour.

As his relationship with Jennifer ends Saul travels to the GDP. He is assigned a translator, Walter Muller, with whom he begins a relationship, one which comes to dominate his life despite it’s breivity. He also becomes involved with Walter’s sister Luna, a young woman looking for her key to the west.

The second half of the book takes place in 2016. Saul has again been struck by a car, again on the infamous Abbey Road crossing. This time he is seriously injured and the second half of the book is an account of his time in hospital. A time where the threads of his life come together and Saul begins to face the man he is.

Throughout the novel there runs an overwhelming sense of history; personal history and world history, particulary that of Europe. It is not a linear presentation, rather it is fragmented, appearing in snapshots, interpreted and misrembered by individual characters each adding their own version of events.

Levy continually plays with the concept of time. There is a fractured and fragmented feel to the novel as elements from each part of Saul’s life appear in the wrong place, at the wrong time. Personalities from the past appear in the future and vice versa, creating a running commentary on the complexity of what makes a person and what defines our experiences and choices. There is an inflated sense of deja vu as the echoes of the past affect the future and back again.

Saul feels like a conduit within the novel, a way of drawing together the past, the present and the future. A feeling embodied by Luna, when she says…

“But you must.” she said, firmly. “You are history”

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Continually the lines of time are blurred. Whilst in the GDP Saul is able to give Luna an accurate prediction about the fall of the Berlin Wall, bringing the future to the present. Equally we feel that the grief he holds, literally around his neck, for the loss of his mother, is what drives Saul to his study of German policital history. Again Levy is playing with and breaking through the barriers of time to create the sense of a novel seeped in history but unconstrained by it.

Throughout the novel there is a sense of haunting. The image of spectres appear again and again, particularly as Saul is hospitalised after his second accident. Levy points out that events in our lives continue to contribute to and define us as we move forwards. Similarly the motif of wolves, dogs and predators stalk the narrative, in the way that his grief for his mother and his guilt surrounding his relationship with Walter stalk Saul’s own life.

Yet Saul is the ultimate unreliable narrator. Taking into account the moving and fractured time frames, his own lack of self awareness and his two accidents, there is a continual sense of story and an author shaping and rediscovering themselves. At times this feels very insular and persoanl to Saul’s story, at other times this feels very much like a wider metaphor for the historial and polictical times we currently find ourselves in.

For this is a novel steeped in the history of Europe. There are continual references to various European countries and influences, woven skillfully into the narrative. The history of Europe and it’ s division and subsequent reunification through the fall of the GDR is central to the novel. It doesn’t feel coindicidental that Saul’s second accident is firmly in the time frame of the EU referendum result. There is a feeling that whatever our future relationship with Europe, we are still bound to it through the past and the present. Nothing is as linear as we would like to believe.

It feels so trite and unimaginative to call this novel complex and orginal. But it truly is. Every review I have read has come up with a different perspective and focus. For it is a novel that lends it’s self to interpretation and discussion. There is so much more to this work than I could ever hope to include in these short paragraphs. It is a work to be read debated and then reread. And I guarantee that much like the narrative structure adopted by Levy your perception will shift and you will find new angles, new motifs and new meanings upon each reading. I have read this book twice in 5 days and each time I have taken something different away from it.

The Man Who Saw Everything is an incredible book. There is no doubt it is a novel for our time; it is a novel for all time. And I am predicting a third Man Booker short listed book for Deborah Levy.